티스토리 뷰
타이타닉 영어 대본 다운로드
타이타닉 한글 대본 다운로드
ANATOLY
(heavy Russian accent)
We are here.
EXT. / INT. MIR ONE AND TWO
5 MINUTES LATER: THE TWO SUBS skim over the seafloor to
the sound of sidescan sonar and the THRUM of big thrusters.
6 The featureless gray clay of the bottom unrols in the
lights of the subs. Bodine is watching the sidescan sonar
display, where the outline of a huge pointed object is
visible. Anatoly lies prone, driving the sub, his face
pressed to the center port.
BODINE
Come left a little. She's right in
front of us, eighteen meters.
Fifteen. Thirteen... you should see it.
ANATOLY
Do you see it? I don't see it...
there!
Out of the darkness, like a ghostly apparition, the bow of
the ship appears. Its knife-edge prow is coming straight at
us, seeming to plow the bottom sediment like ocean waves.
It towers above the seafloor, standing just as it landed 84
years ago.
THE TITANIC. Or what is left of her. Mir One goes up and
over the bow railing, intact except for an overgrowth of
"rusticles" draping it like mutated Spanish moss.
2.
2 CONTINUED: 2
(CONTINUED)
TIGHT ON THE EYEPIECE MONITOR of a video camcorder. Brock
Lovett's face fills the BLACK AND WHITE FRAME.
LOVETT
It still gets me every time.
The image pans to the front viewport, looking over Anatoly's
shoulder, to the bow railing visible in the lights beyond.
Anatoly turns.
ANATOLY
Is just your guilt because of
estealing from the dead.
CUT WIDER, to show that Brock is operating the camera
himself, turning it in his hand so it points at his own
face.
LOVETT
Thanks, Tolya. Work with me, here.
Brock resumes his serious, pensive gaze out the front port,
with the camera aimed at himself at arm's length.
LOVETT (CONT'D)
It still gets me every time... to see
the sad ruin of the great ship sitting
here, where she landed at 2:30 in the
morning, April 15, 1912, after her long
fall from the world above.
Anatoly rolls his eyes and mutters in Russian. Bodine
chuckles and watches the sonar.
BODINE
You are so full of shit, boss.
7 Mir Two drives aft down the starboard side, past the huge
anchor while Mir One passes over the seemingly endless
forecastle deck, with its massive anchor chains still laid
out in two neat rows, its bronze windlass caps gleaming.
The 22 foot long subs are like white bugs next to the
enormous wreck.
LOVETT (V.O.)
Dive nine. Here we are again on the
deck of Titanic... two and a half
miles down. The pressure is three
tons per square inch, enough to
crush us like a freight train going
over an ant if our hull fails.
3.
CONTINUED:
(MORE)
(CONTINUED)
These windows are nine inches thick and
if they go, it's sayonara in two
microseconds.
8 Mir Two lands on the boat deck, next to the ruins of the
Officer's Quarters. Mir One lands on the roof of the deck
hous nearby.
LOVETT (CONT'D)
Right. Let's go to work.
Bodine slips on a pair of 3-D electronic goggles, and grabs
the joystick controls of the ROV.
9 OUTSIDE THE SUB, the ROV, a small orange and black robot
called SNOOP DOG, lifts from its cradle and flies forward.
BODINE (V.O.)
Walkin' the dog.
SNOOP DOG drives itself away from the sub, paying out its
umbilical behind it like a robot yo-yo. Its twin stereo-
video cameras swivel like insect eyes. The ROV descends
through an open shaft that once was the beautiful First
Class Grand Staircase.
Snoop Dog goes down several decks, then moves laterally into
the First Class Reception Room.
SNOOP'S VIDEO POV, moving through the cavernous interior.
The remains of the ornate handcarved woodwork which gave the
ship its elegance move through the floodlights, the lines
blurred by slow dissolution and descending rusticle
formations. Stalactites of rust hang down so that at times
it looks like a natural grotto, then the scene shifts and
the lines of a ghostly undersea mansion can be seen again.
MONTAGE STYLE, as Snoop passes the ghostly images of
Titanic's opulence:
10 A grand piano in amazingly good shape, crashed on its
side against a wall. The keys gleam black and white in the
lights.
11 A chandelier, still hanging from the ceiling by its
wire... glinting as Snoop moves around it.
12 Its lights play across the floor, revealing a champagne
bottle, then some WHITE STAR LINE china... a woman's high-
top "granny shoe". Then something eerie: what looks like a
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